The book reminds me why I fell for Walter Benjamin in the first place, and why the last century has been so remarkable and terrible. (And one further sad fact: That we can't conceive "remarkable" and "terrible" separately.)
Buck-Morss's approach is to fragment and integrate simultaneously. It's history constructed of "tiger leaps" from shard to shard, but not without a theoretical armature. She's willing to be heterodox - one chapter is devoted to the Soviet experience of time, while another brings up man's relationship to nature (i.e. technology) in connection with modernist art and reconstructive surgery performed on millions of war veterans. Where she drags in big philosophical names she prefers to gloss rather than expound. But it's clear that the work relies upon her earlier casting of a wide net.
Speaking now of nets that are not widely cast: Were I not working in an economic policy agency, I may not have cause to concern myself with economics. Perhaps I'd be thinking about graffiti or gardening instead. But we have to think in the world we inhabit.
The clothes have come off neoclassical economics, which is, broadly speaking, founded upon several questionable assumptions. (For more detail, see this Willem Buiter article.) First, humans are considered to act as rational individuals - a ridiculous conceit, really, and if we really did so the narrative form (at the very least) never would have gotten off the ground. Second, there are a few theoretical constructs called the Efficient Markets Hypothesis - the idea that unrestricted markets will "naturally" arrive at the best social outcome - and the complete markets paradigm - the assumption that there are markets in everything. (As it turns out, even very small "imperfections" in markets, such as imperfect knowledge, can lead to radically divergent outcomes.) Third, economics took these questionable ideas, and several others, and used them to construct linear and non-dynamic mathematical models to predict human behavior.
The result?
As economics was derived from political economy, shedding within a century, philosophy, sociology, anthropology, history, politics, psychology, and such-like, though, unfortunately not shedding mysticism, idealism, utopianism, and, eventually, all traces of real human beings, an imaginary world has replaced the real world.
[From a blog called Adam Smith's Lost Legacy - I don't agree with all of its conclusions or premises, but I did find this a good description of the state of affairs.]
Economics is currently in a crisis. It's not just that it has produced answers that were unpopular - although it has, in the sense that it has lobbied for policies that encourage the destruction of the environment, social stability, and the working class in favor of a few points of GDP growth in the pockets of the wealthy. It's that it's given answers that were appallingly incorrect. Most economists missed the crisis, and many still fail to recognize it for what it is.
In a sense, the problem with economics is its utopianism. The discipline is infested with blueprint utopians, who reason their way to perfection from unreal assumptions, deriving along the way iron laws that must be put into place for society to flourish (profitably, always profitably).
In another sense, the problem with economics is its lack of a different tradition of utopianism, the one that Buck-Morss draws upon to discuss the "dreamworld and catastrophe" of the 20th century. Iconoclastic utopians don't create blueprints of the perfect society (with its phalansteries and rules for liberalized capital flows). Instead, they draw upon bits and pieces of the broken past, attempting to save the pieces that can point the way forward for us.
I would like to say that we are on a beam reach with the wind of history in our sails - but I know that it's only the gales of progress caught again in our wings, carrying us inexorably away from our task. To go to Buck-Morss again:
"Revolutions are the festivals of the oppressed and exploited," Lenin wrote in 1905. But the physical violence of revolutions separates them decisively from carnivalistic play. Whereas carnivals are ritual repetitions, revolutions are one-time-only events meant to change permanently the arrangement of social life. Revolutions disregard the spatial and temporal constraints that are meant to contain collective discontent. [Dreamworld and Catastrophe, p. 140.]
The financial crisis bears some resemblance to a revolution. As we speak, corporate and ideological edifices are shuddering, halted in their tracks. Large certainties are on the verge of breaking up. So to is social life as we know it. But, unlike the revolution Buck-Morss discusses above, this is an upheaval without a protagonist. No force is emerging to reconfigure the social landscape.
Or is it? Without the will of the tax-paying, wage-stagnating, deindustrialized majority expressed in coherent form, there is every indication that the financiers are taking hold.


